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In Fall 2011, she was a fellow at the Academy of America in Berlin. McCabe has been awarded the Provost’s “Advancing Scholarship in the Humanities and the Sciences” (2007-8) to focus upon myriad “triangles” within modernism. McCabe has received two Beinecke Fellowship at Yale to conduct research at the library’s enormous archive of H.D. Her work includes numerous articles, reviews, talks, and service to the profession. She works with numersous students in the PhD Creative Writing track, and has written a series “ecopoetic” reviews, some published at Los Angeles Review of Books. McCabe’s research in 20th and 21st century poetry (gender studies, film, psychoanalysis) has been a major source for her creative projects. A poem taking on Demeter’s voice articulates a central theme: she is “fed up with the cult of ugliness.” Poised between reveries and ruins, the book traverses several layers: the ice age, the excavation of the oldest female body, ancient Los Angeles before humans, and in Sweden (her mother’s home country), the three hundred and seventy-seven million old meteor-made Siljan lake, in conversation with the oldest tree alive these channeled non-human voices, both whimsical and uncanny, animate more recent landscapes-including a fantastical modern ice hotel in a state of meltdown. Susan McCabe weaves together the fragile fabric of worlds imagined and lost, both palpable and present. I Woke a Lake faces the anxieties of climate change, extinctions, and political chaos. McCabe’s new poetry book, I Woke A Lake, will be published in 2025. bisexual, and Bryher, proto-transgender), especially together in their “whole machine” (H.D.’s word for the psychical collaborative relationship together as secret loves). It shows these somewhat overlooked modernists as making poetic, political, and cultural achievements (as queer figures, H.D. Her most recent book is a bi-biography of modernist poet and writer pair, An Untold Love Story: H.D. She is the author of four books, including two critical studies-Elizabeth Bishop: Her Poetics of Loss (Penn State University Press, 1994) and Cinematic Modernism: Modern Poetry and Film (Cambridge University Press, 2005)-and two poetry volumes, Swirl (Red Hen Press, 2003), and Descartes’ Nightmare (winner of the Agha Shahid Ali prize and published by Utah University Press in 2008). She directed the PhD in Literature and Creative Writing Program (2006-2009), and has been President of the Modernist Studies Association. She also taught and conducted research in her mother’s country of Sweden. Susan McCabe was born on Sunset Boulevard in Los Angeles, has taught in Oregon and Arizona, and received her PhD at UCLA. USC-Huntington Early Modern Studies Institute
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